"Kirsty Cox, multi-tasking as Ray's mother, lover and assorted acquaintances, is a chameleon"

Review of 'Ray Collins Dies On Stage', Sophia Lomax, Bristol Evening Post

"Kirsty Cox's clever characterisation ensured that Angela's anecdotes, asides and mannerisms never competed with her hostesses." 

Review of 'Abigail's Party', Emma Silverthorne, Sidmouth Herald 

"For me, the highlight was an outstanding portrayal of the severe, stern, capable and loyal housekeeper, Jenny, played by Kirsty Cox - probably the best in all the times I have seen this play in the last 30 years." 

Review of 'The House On The Cliff', Roger Simmonds, Sidmouth Herald

"It must be noted here however that Kirsty Cox's blisteringly funny portrayal of a masochistic Council Worker viscerally shone out from the background tide." 

Review of 'The Wonderful World of Dissocia', Patrick Cash, remotegoat

"There are few (characters) that carry the core plot through and of these...Mrs Van Ripper played by Kirsty Cox stand(s) out." 

Review of 'The Legend of Sleepy Hollow', Sandra Giorgetti, The British Theatre Guide

"I loved Kirsty Cox as Mrs Van Ripper; gossipy to a fault she's scared of her own shadow yet longs for stories of troublesome pixies running amok in the brewery." 

Review of 'The Legend of Sleepy Hollow', Gill Fisher, Colourful Radio

"The restrained playing of the luckless Miss Matty by Kirsty Cox perfectly suits the character." 

Review of 'Cranford', Kevin Berry, The Stage

"another fine performance, all misplaced solicitousness and pent-up frustration, from Kirsty Cox"

Review of 'Away with the Fairies', Steve Wright, Venue 

"Kirsty Cox in particular is excellent as the put upon daughter as she has to deal with the two strong willed older women."

Review of 'Away with the Fairies', Simon Harvey-Williams,

"the talented Kirsty Cox who as Viola and Maria was seldom off the stage, effervescent, energetic and full of fun."

Review of 'Twelfth Night', Donald Hollins, Gloucestershire Echo

"Kirsty Cox was endearing and sweet as Viola, and just had enough of the cheeky minx quality to pull off Maria"

Review of 'Twelfth Night', Eden Bee, remotegoat

"Kirsty Cox gives Jon's mother, Sophie, a competent & attractive persona that conceals her eruptive power, comparable with that sweet little creature in 'Jurassic Park' that suddenly spits lethal venom in faces of the unwary; a splendid performance from Ms Cox."

Review of 'Cake', Arthur Duncan, remotegoat

"Kirsty Cox and Alex Dunbar pack a punch as the warring exes. Planting them firmly in the middle of their current nightmare, you see the pain etched on their faces and perversely completely buy their past and the love they once shared."

Review of 'Cake', Shane Morgan,

"Special mention must also go to Kirsty Cox, who multi-roled seamlessly between four parts"

Review of 'The Legend of Sleepy Hollow', Annie Price, Inter:Mission

"Kirsty Cox has a moving moment of feisty tearfulness, portraying a cheated upon wife"

Review of 'The Comedy of Errors', Derek Briggs, Gloucestershire Echo

"Kirsty Cox...switch(es) characters in a blink with utter conviction"

Review of 'The Blue Bird', Petra Schofield, remotegoat

"Kirsty Cox's long suffering mother, crossed with the Spirit of Light was a welcoming all-pervasive presence"

Review of 'The Blue Bird', Victoria Barry, Guide2Bath

"However in the second act, it is most certainly Oliver Langdon and Kirsty Cox who steal the show with their hilarious portrayal of the mischievous Duke and Duchess of Luxury"

Review of 'The Blue Bird', Grace Fox, The Famished Fox

"Cox was able to get across the emotions of mute Aunt Margaret without making it cartoonish and you understood absolutely every thought she wished to expressed (impressive for a character with so few lines)" 

Review of 'Angela Carter's The Magic Toyshop', Buzz Magazine

"Cox easily gains audience sympathy as she suffers in silent sadness" 

Review of 'Angela Carter's The Magic Toyshop', Othneil Smith, British Theatre Guide

"I must make particular mention of the actress Kirsty Cox, who plays the largely non-verbal role of Aunt Margaret with spell binding genius. The power of her stage presence is held almost entirely by the look of sheer terror etched upon her face"

Review of 'Angela Carter's The Magic Toyshop', Sarah Dosomah, Female Arts

"Kirsty Cox tugs on the heartstrings as the downtrodden Aunt Margaret, using subtle gestures to portray a mute with conviction"

Review of 'Angela Carter's The Magic Toyshop', Karen Price, WalesOnline

"Kirsty Cox gives a magnificent performance as the defector, troubled and haunted by a past, which gnaws away at her equilibrium."

Review of 'Stalin's Daughter', Graham Wyles, StageTalk Magazine

"Cox wonderfully executes David Lane’s script with expert confluence...Cox’s utterly convincing and dynamic performance."

Review of 'Stalin's Daughter', Scott Hammond, The Fix Magazine

"It’s often grotesque, always engrossing; and in Ed Viney’s pin-sharp production, Kirsty Cox is mesmeric...Lane’s writing has a hurtling power and Cox harnesses its force to gripping, visceral effect."

Review of 'Stalin's Daughter', Sam Marlowe, The Times

"Kirsty Cox gave a riveting and focused performance as this difficult and complex woman."

Review of 'Stalin's Daughter', Evening Post, Michael Clark

"Performer Kirsty Cox was amazing in the one-woman show"

Review of 'Stalin's Daughter', Salisbury Journal, Katy Griffin